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Beatle Travel DVDs

The Concise John Lennon's New York: A Magical History Tour
(featuring NY Walking Tour ONLY)

Also available is the 2-disc Collector's Edition of John Lennon's New York

featuring interviews with Bob Gruen, photographer; Allan Tannenbaum, photographer; David Peel, musician signed to Apple Records; Mark St. Germain, playwright "Ears on a Beatle"; and EXCLUSIVE NEVER BEFORE INTERVIEWED: Tamiko Steinberg, Lennon's Japanese Instructor, Berlitz Language Center

To watch an excerpt and read Daytrippin's review of John Lennon's New York, click here

The Beatles Liverpool (2-disc edition)

The Concise Beatles - Liverpool (One-Disc Edition)

The Beatles, Hamburg and the Hamburg Sound

The Beatles London



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Shea Stadium closing
(posted April 2008)

Shea Stadium in New York City is shutting down after the 2008 baseball season.

The Beatles concert at Shea Stadium on August 15, 1965, was the first concert to be held at a major outdoor stadium and set records for attendance and revenue generation. Over 55,000 people saw the show.

Shea will close after the Mets' 2008 season; the team moves to the new Citi Field in 2009. The Flushing, N.Y. stadium has been used as a concert venue only occasionally -- most famously, when the Beatles played there in 1965 and 1966. Other Shea headliners have included Bruce Springsteen & the E Street Band, the Who, the Rolling Stones, Elton John and the Police.

Billy Joel will be the last artist to play at New York's Shea Stadium with two concerts, July 16th and July 18, billed as "The Last Play at Shea, From the Beatles to Billy." Joel would become the fourth artist to play multiple shows at Shea since its opening in 1964, joining the Beatles (1965 and 1966), the Rolling Stones (1989), Elton John with Eric Clapton (1992) and Bruce Springsteen and the E Street Band (2003).

http://newyork.mets.mlb.com/nym/ballpark/history.jsp

 


 

Lennon's favorite cafe closes
(posted April 2008)

Cafe La Fortuna closed its doors in February 2008, more than 30 years after it began attracting customers in the heart of New York City's Upper West Side. A rent increase factored into the decision to close the cafe.

This was a discreet and inexpensive cafe located only a block from the Dakota at 69 West 71st street. John Lennon visited the cafe almost every day from 1976 to 1980 where he could go to relax, read the paper and drink cappuccino. There is a famous picture of John and Yoko sitting outside on the patio here. Record producer, Jack Douglas, recalls that in the fall of 1980, during the recording sessions of Double Fantasy, he and John would have breakfast here every morning. Around 11 am, John would return to the Dakota for a nap, and would meet up with Jack at either the Hit Factory or the Record Plant studios in the afternoon. Also, part of John's 1980 Playboy interview was conducted here.

John and Yoko had a favorite table they sat at inside which used to be in the left corner as soon as you enter the cafe. Autographed photos from John and Yoko were displayed on the wall in that spot. In 2006, the owner of the cafe decided to offer the table to Yoko Ono, after bringing in new tables with a renovation. Yoko accepted the small wooden table and chairs and wrote a thank you letter to the owner. She said, "The afternoons we spent in Cafe La Fortuna are something I will remember forever."

http://www.cafelafortuna.net/


Note: This cafe was featured (before it closed) in the travel DVD: John Lennon's New York.

Watch an excerpt: http://rockandrolltours.com/travelDVDs.htm#LennonDVD


 

Mega-Beatles Statues erected in Houston, Texas

Posted July 2007

Sculptor David Adickes has recently completed a 36 foot tall sculpture of the Beatles off Interstate 10 in Houston Texas. Location: 2500 Summer Street (next to Target), I-10 to Taylor st. exit.

David Adickes, an artist who has created monumental artworks on display at Presidents Park in Williamsburg, Virginia, (www.presidentspark.org) has a reputation that spans the globe. His highly celebrated artwork and sculptures are displayed in ten major art museums across America.

Mr. Adickes created a personalized eight foot bronze statue of the elder George Bush when he was President. This statue is located in the Bush Intercontinental Airport in Houston, Texas. His 18-foot statue of Andrew Jackson sits in front of the Fine Arts Museum in Jackson, Mississippi, and his 76-foot statue of Sam Houston has become an icon for Huntsville, Texas.

His latest sculpture of The Beatles is made of steel (armature) covered in concrete. When asked why Paul McCartney with his left-handed bass is placed on the right side instead of his usual left side in the group, Adickes says, "I placed John on the left and Paul on the right so their guitars would point inward, to contain the sculptural composition a bit. Otherwise it got kinda wild. Also the space where they are to go is limited in width."

Adickes explains that the Beatles statue, which took one year to complete, is on display temporarily in Houston and may find another home eventually. If they go someplace else, the Lennon & McCartney positions could be interchanged.

David's other sculpture work includes another President's Park in the Black Hills of South Dakota (www.presidentspark.com) and his paintings can be viewed at www.adickes.net.


Meeting Paul and Linda McCartney in Nashville

by Cris Moore

I couldn't believe it. I'd finally found out where Paul McCartney was recording. There it was in black and white. I was looking through a rock and roll magazine, waiting for my girlfriend to get off work at a deli that summer night of 1974. I knew Paul McCartney and family were in Nashville vacationing and recording. In the random notes section of the magazine it said: "Paul McCartney, while vacationing in Nashville, is also doing some recording at Sound Shop recording studio."

It was late, but who cared. I told my girlfriend as we walked out, "We're going to go meet Paul McCartney." We got to the studio, and there were a few college age kids like us hanging around outside. They weren't saying much. But we stayed and soon realized we were at the right place. From the front door of the studio, you could see into the lobby. Soon we saw Linda walk into this area, sit down at the receptionist's desk to look through a stack of photos. Jackpot! Now we were really getting excited!

Much later, people inside began scurrying around,and it appeared to be time for the session to be over. In a little while, there was a big commotion at the back of the studio. I ran to the back of the building and rounded the corner, almost full speed. There stood Paul. I nearly ran into him. He stood there with Linda, smiling and talking briefly with the fans.

We were so excited as they drove away, we could hardly contain ourselves. You've got to remember that this was only four years after the Beatles broke up. They all had huge solo careers in high gear at the time. Paul had "Band on the Run" racing up the singles and album charts. John had his first solo number one that very week, "Whatever Gets You Thru the Night." Ringo was coming off his huge album "Ringo" with three hit singles, and George had his Dark Horse album and tour that year.

Needless to say, we were hanging around the studio parking lot the next day. Around noon, a white rental car pulled up with Paul driving. Linda was sitting next to him like a couple out on a date. They were very friendly, posing for pictures and talking to us before they went in the studio. I remember being struck by how beautiful Linda was in person, not just nice, but very pretty.

All week long, we'd show up around the time they would get there, and we'd come back at night around the time (around midnight), that they went home. I have so many fond memories of those days. My college friend, Skip Comer, took lots of pictures, including the one with this article.

Paul and Linda came out of the studio one day and Paul saw a can and kicked it. He then proceeded to chase and kick that can across the parking lot like a soccer ball. We stood there; mouths open, finally cracking up. I remember once he came out with his Martin guitar slung on his shoulder singing "Sundown, you'd better take care. . . " which was a big Gordon Lightfoot hit around that time. I can even say I was a Wings roadie-- at least for a few minutes. He and Linda drove up one day with the drums in the back seat of the car. A few of us fans carried them to the studio door. We thought , "Now we're going to get to go into the studio, at last." But one of Paul's official crew members met us at the door. Oh well, we were allowed to hang around outside, but the studio was off limits to us.

I have fond memories of pressing my ear against the wall to hear Wings recording "Junior's Farm," (named after Tree Publishing writer Curly Putnam's farm where Wings stayed). It took forever. I'll bet I heard that intro lick a hundred times. They were having fun and in no hurry. My fondest memory of all is of one afternoon, when I had my friend's camera and Paul stopped to pose for me. There was no one else around. I was looking through the view finder at Paul striking muscle-man poses and cutting up and I'm thinking, "I can't believe Paul McCartney is doing all this for just one fan . . . me." Unfortunately, the negatives disappeared from the college darkroom, but that moment was and will always be special to me.

Well, that was a lot of years ago. I've had some modest achievements in music, since then, myself. I've co-written a couple of country hits and had some album cuts but none of that compares to the thrill of that week in the life of a college kid who got to hang around his musical hero for a few precious moments the summer of '74.

"Take me down to Junior's farm, everybody tag along" . . . indeed.

---

Note: The photo of Paul and Linda is by Skip Comer. This was probably taken just after they had arrived at the studio one day. Notice their white rental car in the background. The picture outside Sound Shop Studio is of Cris Moore, taken February of 2005 by Lou Moore. This is the area, outside the front lobby, where fans would hang out while Wings was recording in 1974. The building has been added onto since the days when Paul used it. The large two story addition in the back houses publishing offices. There has been an additional studio room added also. In the 70s, not only did top country acts record there, but also top rock acts like Wings, Grand Funk, and Neil Young. In the last few years, top acts like Brooks and Dunn, Amy Grant and Lonestar have recorded platinum albums in the studio. Cris Moore, the author of this article, even got to work in the studio in the late 90s with country/blues artist, Lee Roy Parnell. I couldn't help imagining Paul working right where we were working. I know the "vibes" made for a better recording!

Cris Moore currently lives in Goodlettsvile, Tennessee with wife Lou, daughter Emily and son Matt.


 

Tracing the Beatles Footsteps in Miami

by Jan Owen

From January 18th through the 26th, my girlfriend, Wendy and I took a long driving vacation to Florida, Georgia and the Carolinas. We visited: NASA/Cape Canaveral, Boca Raton, Key Largo, Miami, The Everglades (we actually were chased by a hungry alligator!), Tarpon Springs, St Augustine and Amelia Island/Fernandina Beach in Florida; Savannah, Georgia (an absolutely otherworldly town, unbelievably atmospheric - totally unlike ANY city I've ever been to!); and a few stops in South and North Carolina as well. It was quite a trip. We covered over 3000 miles total!

But here's the part of the trip that will interest Beatles fans. . . Before the trip, I did a little Beatle research ahead of time, and I booked a musically historic room in a musically historic hotel: We stayed one night in the Deauville Hotel in Miami.

As you'll recall, The Beatles appeared on the Ed Sullivan Show on Feb. 16, 1964 live from the Deauville Hotel in Miami. Their stay was chronicled in the documentary "The Beatles First Visit" filmed by the Maysles Brothers.

The Deauville is a beautiful, grand hotel in North Miami, away from all the hustle and nuttiness of Sout Beach. The lobby is HUGE. I made sure we had a reservation for a particular room - Rm 1112: This was the very room Paul and Ringo shared, while staying in Miami in February 1964, during the Beatles' first visit to the US (as seen in the famous "suitcase" scene in the documentary).

And they played their 2nd Ed Sullivan appearance downstairs, on the stage in the hotel's giant Napoleon Ballroom, which was televised to over 70 million people (I even got a bellboy to sneak me into the Napoleon Room, and I got up on that stage for a quick photo!).

Getting back to the room: I had studied footage of Paul, Ringo and George, joking around in Rm 1112, which is available on the DVDs "The First US Visit" and "Anthology", and the room hadn't changed much, except for some of the decor. The connecting door to John and Cynthia's room was still there, too!

And the familiar balcony still looked out onto the brilliant blue-green Atlantic, and the beach below. Wendy even wrote my name in the sand, as per the fans below that same room's balcony back in 1964! Attached is a photo of Wendy's foot-artwork! As the Fabs did to the fans on the beach, I shouted down to Wendy, "Who are YOU, which one are YOU?", ha ha. It really was a kick, though. Quite a place.

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Jan Owen is a singer/songwriter who does a great Beatles one-man show! If you attended the last two Daytrippin' Fan Club parties in New York City you were able to experience Jan's highly acclaimed one-man 'Fab Fouray' show including songs that would be challenge enough for a four-piece band, let alone a solo guitarist. Jan performed 8 shows at the Cavern Club (and 3 other venues), for International Beatle Week 2004 and he'll be playing at the Australian Beatles Festival in Adelaide in June 2005, and has been invited back to play Beatle Week 2005 next August as well!
www.janowen.com



Travel
"Montreal" Mystery Tour:
Recreating John and Yoko's Bed-In for Peace
(a.k.a., "The Ballad of Jan and Wendy)
by Jan Owen

My birthday was on May 23rd, a Monday this year (2005). A few weeks prior to that, "my better half" Wendy had mysteriously told me that, instead of celebrating the birthday the weekend before (May 21 & 22), she wanted me to "keep the Memorial Day weekend (May 28-30th) open - don't book any gigs, OK? I'm going to take you on a little Magical Mystery Birthday Trip!" I couldn't guess what it was and where it was going to be, but eventually Wendy had accidentally dropped a few hints, and I guessed it right:

As my BIG birthday gift, she secretly booked us a very, very special room at the Fairmont Queen Elizabeth Hotel in Montreal, Quebec, Canada, for that Memorial Day weekend: the very same room where John Lennon and Yoko Ono had their most famous "Bed-In" (26 years ago, to the week) - where "Give Peace a Chance" was recorded and filmed!!!!! I couldn't believe it! I mean, earlier in the year, we stayed in the same room in Miami's Deauville Hotel that was occupied by Paul and Ringo, in February of '64 when The Beatles played the Sullivan show there, (Read:Tracing the Beatles Footsteps in Miami ), and now…this! Waayyyy cool! And if the above wasn't enough: before our trip, on my actual Birthday, she gave me 1) expensive white pajamas like the ones John wore during the bed-in, 2) the DVD John and Yoko's Year of Peace (which has all the Montreal footage, even with that A-hole Al Crapp, er, um, I mean, Al Capp, in it), and 3) a CD called "John Lennon: Bedism", which has a lot of their press interviews from that week in 1969. So, we hadn't even started on our trip, and I was already in "Beatles Heaven".

Needless to say, Wendy and I had an AMAZING time in Montreal!! On Saturday, May 28th, at 1pm, we arrived at the luxurious Fairmont Queen Elizabeth Hotel, on le Boulevard Rene Levesque. We took the elevator to the 17th floor, and approached Room 1742, named "The John Lennon Suite", at the end of a corridor. Just below the room # on the door, there was an elegant 6"x4" silver plaque, on which were the embossed words, "John Lennon". We slowly opened the door with anticipation. And feeling like Dorothy, as she opened the door to find a Technicolor Oz, our jaws practically dropped to the floor in awe: what a gorgeous suite, way beyond our expectations.

In the chandelier-lit foyer, the first thing our eyes set upon was a beautifully framed photo of a bearded, 28-year old Beatle, John Lennon. He sat, in white pajamas, upon the mattress that lay on this suite's living room floor 26 years ago this week. His knees were up and hugged tight to his chest. He looked at once as wise as the proverbial "old man in the mountain" and as vulnerable as an orphaned child (that in a certain way, he indeed once was). It was a hard-to-describe moment for us, but wonderful nonetheless. There was a warmth and presence to the entire suite. The foyer was the hub connecting the complex of rooms. As we walked in from the corridor, to our left was the bathroom, all black marble (with his-and-hers bathrobes inside!). To our right was a good-sized kitchenette. The bedroom and living room were separated from the foyer by their own French (what else?) doors. The bedroom had a magnificent mahogany framed king-sized bed, and a huge TV. (BTW: this was a corner suite, so the bedroom looked out onto one boulevard, while the living room looked out onto that as well as the boulevard crossing it &endash; quite a view). The entire suite was in a "modern-traditional" style (for lack of a better term &endash; hey, what do I know?) -- elegance from floor to ceiling! Very classy (I'm not going to tell you how much Wendy laid out for this one-day/night stay, but let's put it this way……I don't deserve her!).

The walls of every room were lined with beautiful, lovingly framed and matted original photos - each one personally signed and numbered by the two photographers who were there 26 years ago - of John and Yoko, together in bed, being interviewed, lounging, and ones taken during the filming of "Give Peace a Chance", with Tommy Smothers, a tripped-out Timothy Leary, and others. Yoko had handpicked these photos personally for this suite only!

And now, the "piéce de résistance": over the couch, on the living room wall hung a huge (maybe 5'x4'), framed, glass-enclosed and tastefully designed display, commemorating the events of both the Bed-in and "GpaC" recording/filming. On a red felt backing, was a sweet color photo of John and Yoko lounging on the mattress they had moved from their bed to the living room floor. John gives the "peace" sign with both his fingers and his upraised feet, put together in a "V". The photo was parenthesized by gold "GpaC" singles, and below that were the lyrics to the song. Below the lyrics was a small, engraved plaque, describing those musically historic events. Quite a centerpiece to the room, and to the suite itself. This room also had a huge couch, 3 or 4 luxurious chairs, a writing table and chair and it's own giant-screened TV. We, of course, documented about every inch of each room (including close-up shots of each framed photograph), and filmed all our activities (well, not all of them, actually) on about 5 rolls of film (B & W and color), a digital camera and a camcorder. We didn't miss a beat.

The service at the Queen Elizabeth was lighting-quick, and the entire staff was very friendly, and they waited on us hand and foot - - this is the first time in our lives that Wendy and I felt like royalty! Within no more than 20 minutes of our being in the room, the doorbell rang (the suite even had a doorbell, can you believe it?!), and a bellman brought us champagne in a bucket of ice, and a basket of exotic fruits (mango, kiwi, papaya, bananas, etc). Wendy laughed when I said I thought they were plastic!

I looked around the suite and thought, "Hmmm, what's wrong with this picture?" Of course! Wendy and I could tell, from the print-outs of the John & Yoko Bed-in photos we had brought along for reference, that they had slept not in their bedroom, but on a mattress moved into the living room, by the radiator and big picture window. Well, can you guess what happens next? That's right - - After a gentle bout of begging and pleading with Wendy (she didn't really mind, and warmed up to the idea quickly, actually - always an adventurer at heart, like me). I asked 2 bellmen (thanks Jacques, and especially Patrick &endash; you rule, dude!) to come up to the suite, take our very big and heavy mattress off our bed, drag it into the living room and drop it on the floor by the radiator and huge picture window, which they did with devilish glee. They put that mattress down onto the exact spot where John and Yoko slept (etc, etc), entertained reporters and guests (and suffered fools like Al Capp), and, of course, sang and filmed the monumentally important and historic "Give Peace a Chance"!! And we soon realized that the other reason why John and Yoko probably moved the mattress there (I forget what the first one was, ha ha) was that it afforded them (and us, 26 years later) a birds-eye view of the beautiful city of Montreal: the bright lights of the le Boulevard Rene Levesque, and the green basilicas of the old Roman Catholic Church below. We even witnessed the taking of the post-wedding photos of former Prime Minister Pierre Trudeau's son and his lovely bride, complete with a white Rolls Limo, and Royal Canadian Mounties with swords raised high, as an "archway" for the bride and groom to descend the outside church steps. Pretty cool, unexpected "icing" on this already wonderful "cake", eh?

During our stay, we did what J & Y did: we never ventured out to explore Montreal, we stayed in the hotel the whole time, mostly in our white PJ's, reading newspapers, eating fruit, talking ("in our beds for a week" - well, one day, actually), watching some TV and doing other things, of course.

Now, you know that, as both a singer/guitarist and Beatles/Lennon freak, I just couldn't pass up this opportunity: to play and sing "Give Peace a Chance" in that very room, in bed on that very spot! So, I magic-markered some peace slogans on small 16"x12" construction paper, and scotch-taped them to the big window above the radiator behind our "bed-on-the-floor". I also (as John had done, unbeknownst to most) wrote out the lyrics to "GPAC" onto a big piece of oak tag, and taped it to the front of the living room TV, so I could see the words from the bed (just as John had done - I always thought he had the words memorized). We set the camcorder on a table, Wendy assumed the lotus position next to me on the bed, and I whipped out my...guitar (get yer thoughts out of the gutter!).

Of course, you know what's next, re the singing of the song, but there was a cool little back-story twist to this. Initially, I was planning to round up strangers from other rooms, the elevator, lobby, etc, to come to our suite and sing along for our own little videotaped "happening". But there were two problems with that: first, unfortunately, the high pollen count in Canada at the time played nasty on Wendy's throat, making it hard to eat or drink. She was in considerable discomfort for most of the time (I felt so sorry for her. She, of all people, should have been able to enjoy every second of this trip! Soooo unfair!), and didn't know if she was getting a cold or maybe strep throat. So I really didn't want to drag a bunch of people into the room. Also, as she had pointed out to me, if all the folks we found didn't know "Give Peace a Chance" by heart (or weren't Beatles fans), the "event" could have turned into a train wreck. So she suggested this: "Why don't you bring the CD player [the hotel provided for our room] over beside the bed, play the CD of the original song [which, being the good little Beatlles fan, I brought along on our trip, to play in the car], and you play along live with your guitar and sing &endash; this way it'll be like you're singing with John, Yoko and their friends." Perfect - we did just that! Wendy, of course, couldn't sing because of her throat, so she mimed along and swayed with me to the primordial beat of the song. I pressed Play on the CD, and we sang our hearts out, accompanying the voices of 26 years ago - in the same city, hotel, room and upon a mattress on the exact same spot as John & Yoko & Co. Ah, what a wonderful thing to experience, a great, happy, positive vibe!!

We had a wonderful dinner that Saturday night in the hotel's restaurant, then checked out its shops (and a bit of the underground mall, where Wendy bought me a cool Rubber Soul-looking brown suede jacket, to go with the Liverpool-made brown suede Beatle Boots she surprised me with at the NJ Beatlefest in April! &endash; did I mention that I am a very lucky guy, and I don't deserve her?). Up in the mammoth hotel lobby, we tracked down a bellman that was working there back in '69, when John and Yoko stayed there. His name is Andre, a delightful gentleman, a veritable human wellspring of stories and anecdotes (much like someone else, ha ha). Although he never had direct interaction with J & Y, he told some interesting tales of some of the other visitors to the Queen Elizabeth: like the Queen Mother herself, Tony Bennett, Charlton Heston and even Marlon Brando! And Patrick (my happy co-conspirator in "The Case of the Moved Mattress" from earlier in the day) secretly handed me the very last (a handful of about 10) of an extremely limited stock of the special commemorative "John & Yoko Bed-in Anniversary" post cards the hotel had specially printed. As I said, the people who work in the Queen Elizabeth are a cool and very special breed &endash; this is such honored and special job, that most of them make a lifetime career of it, if they can.

Later that night, as we prepared for bed, we turned on the TV in the living room, and were treated to a funny surprise. On TV, totally by coincidence, the local station was showing, of all things, A Hard Days Night &endash; but spoken in French [La Nuit D'un Jour Dur], which was a kick to watch and listen to (Paul, re his grandfather: "Il est très proper."). The songs were sung in English, though. We had, as George said, in AHDN, "a giggle".

The next morning a waiter rolled a white-cloth-covered table into the room and served us the absolute, most sumptuous, breakfast either of us has ever had in our lives! Everything on that table was THE freshest and finest looking/tasting thing a person could ever hope to eat: crepes, sausages, poached eggs, ham, croissants, muffins, bacon, fresh fruits, inch-thick-but-airy-and-light wheat toast (like in that Little Rascals episode with Spanky, Scotty Moore, the jar of jelly and the inch-thick bread), imported jellies, soft whipped butter, fresh-squeezed juices, coffee, tea - - we absolutely felt like Royalty! Funnily enough, that breakfast remains on both Wendy's and my "Top Three" of the list of the 10 best things we loved about our stay in Montreal, ha ha. But, damn, the breakfast was simply that amazingly good!

Soon it was time to check out, and, to be honest, it was quite a depressing feeling for us (like what Cinderella felt, when her horse-drawn coach turned back into a pumpkin at midnight). I mean, we both wished we were millionaires and could stay in that suite of rooms forever! Wendy and I never did this before, but we actually (and pathetically, ha) waved a sad goodbye to the room, before closing the door with the silver "John Lennon" plaque on it, behind us. (The words to the chorus of Ringo's song, "Photograph" come to mind at the moment). But in our hearts and minds, a part of us will always be there - as we knew a part of John somehow was still there the very moment we first stepped foot in that marvelous suite (and at the moment I toppled from that chair!). And I think he always will be. Thanks eternally, Wendy, for the inspiringly memorable "Magical Montreal Mystery Tour" you gave me for my birthday!!

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Jan Owen is a singer/songwriter who does a great Beatles one-man show! If you attended the last two Daytrippin' Fan Club parties in New York City you were able to experience Jan's highly acclaimed one-man 'Fab Fouray' show including songs that would be challenge enough for a four-piece band, let alone a solo guitarist. Jan performed 8 shows at the Cavern Club (and 3 other venues), for International Beatle Week 2004 and has been invited back to play Beatle Week 2005 this August!
www.janowen.com

 

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