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It was 40 years ago today. . . (From Daytrippin' Magazine's Article Archive) |
It was 40
years ago today. . . (From
Daytrippin' Magazine's Article
Archive)
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The Beatles Triumph? by Trina Yannicos
The music industry honored the Beatles monumental achievement at the Grammy Awards of 1967. Sgt. Pepper won for best engineered recording, best contemporary rock 'n' roll recording, best album cover, and album of the year. The album's revolutionary and brilliant qualities were praised. Sgt. Pepper was considered the first of its kind in many respects. For example, Sgt. Pepper became one of the first rock albums to eliminate the periods of silence traditionally heard between songs. As a result, the concept of the album was to recreate a concert-like performance of the make-believe Sgt. Pepper's band. Also contributing to the uniqueness of Sgt. Pepper was the album cover. It was a collage of The Beatles surrounded by famous historical, literary and entertainment figures ranging from Edgar Allan Poe to Marilyn Monroe to Bob Dylan. Apparently, the Beatles' record company, EMI, obtained permission from each celebrity to include them on the cover. Musically, this was an extraordinary album not just because of the complex musical arrangements, but also because of the wide variety of instruments used ranging from an electric guitar to a 41-piece orchestra. The lyrics of the songs had a great effect because of the many ways they could be interpreted. Sgt. Pepper marked the first time that the lyrics were printed on the cover of a major pop release. As a result, the printing of the lyrics put a greater emphasis on the meaning of the songs. Consequently, this rock album which had several different aspects to analyze received near-unanimous raves and very little criticism. Throughout the States, it was widely
agreed upon that Sgt. Pepper was a superior achievement for
The Beatles. Taken along with the Beatles' previous
successes, Sgt. Pepper's release created an outpouring of
esteemed praise for The Beatles. In Time's cover story
(9/22/67), music writer Christopher Porterfield described
The Beatles as "messengers from beyond rock 'n' roll, they
are creating the most original, expressive and musically
interesting sounds being heard in pop music." Meanwhile, in
Newsweek (6/26/67), Jack Kroll called them "Britain's new
Poet Laureate." The Beatles were being hailed as the
greatest in their field, and by some they were being hailed
as the greatest humans on earth. According to Philip Norman
in his book Shout! The Beatles in their Generation (1981),
Dr. Timothy Leary, a famous personality in the hippie
movement, claimed that the Beatles were "the wisest,
holiest, most effective avatars the human race has ever
produced." At the same time, the album itself was receiving the highest critical acclaim. According to Norman, The New York Times Review of Books declared that Sgt. Pepper marked "a new and golden Renaissance of song." Meanwhile, according to Nicholas Schaffner in his book The Beatles Forever (1977), Tom Philips of New York's Village Voice called Sgt. Pepper "the most ambitious and most successful record album ever issued." The majority of critics had a similar positive response to the album. Obviously, the most influential part of the album was the music. In The Washington Post (6/18/67), Carl Bernstein expressed his view of this amazing creation: "The Beatles have managed to create a musical infinity through a miraculous metamorphosis of dozens of Eastern and Western musical ideas, some centuries old, others from our own era and more than a few from the future." It was the opinion of many critics that Sgt. Pepper was the most amazing rock album to date. However, the real proof that Sgt. Pepper was an astounding musical achievement rested in the views of other musicians. Surprisingly, in the classical music world, Sgt. Pepper received great praise. According to Time (9/22/67), classical conductor Leonard Bernstein declared that the song "She's Leaving Home" was one of the three great songs of the century. Also, Time reported that classical composer Ned Rorem claimed that this song "is equal to any song that Schubert ever wrote." Rorem also insisted that the best songs on Sgt. Pepper could compare with those by composers Monteverdi, Schumann and Poulenc. Meanwhile, within the rock world, the reaction was just as great. According to the authors of The Love You Make: An Insider's Story of the Beatles (1983), after first hearing Sgt. Pepper, The Beach Boys' Brian Wilson gave up working on his own upcoming album since he believed Sgt. Pepper to be the greatest album ever made and nothing could top it. If imitation is the highest form of flattery, then The Who and The Rolling Stones greatly admired The Beatles' Sgt. Pepper. They both took up the challenge of matching it with their albums, Tommy and Their Satanic Majesties Request. Although the overwhelming response to Sgt. Pepper was positive, there were a few negative responses. According to Schaffner, Richard Goldstein of The New York Times "dismissed most of the songs [on Sgt. Pepper] as pretentious and gimmicky." On a more severe note, according to Philip Norman, the John Birch Society, a right-wing ultra Christian group, claimed that the Beatles "were part of a Communist conspiracy and their music displayed 'an understanding of the principles of brainwashing.'" The BBC expressed their own form of negative response when they banned the song "A Day in the Life" from being played on the British airwaves. They stated that the song was promoting drugs through lyrics such as "I'd love to turn you on." Some fans of The Beatles also saw Sgt. Pepper as a prelude to the inevitable commercial exploitation of the counterculture. According to Schaffner, Robert Somma in Crawdaddy criticized The Beatles because "they tidied up the drug scene, made psychedelia as palatable and mind-blowing as Congress." Nonetheless, these criticisms were among the few that appeared amidst the plethora of praise for Sgt. Pepper.
The majority of America looked favorably on the release of Sgt. Pepper. The most enthusiastic were the youth of America or the counterculture. With the release of Sgt. Pepper, the youth of the sixties believed that the Beatles were the spokesmen for the counterculture. The hippies studied and dissected the album, believing that it held prophecies, messages and signs for them. Besides the supposed drug messages in the lyrics, the hippies also interpreted some songs to be a put down of their parents. According to Porterfield, "She's Leaving Home," with its story about a teenage girl who runs away from home, was thought of as an anthem for the younger generation. As reported in Time, one 15-year-old hippie commented that the Beatles were "saying all the things I always wanted to say to my parents and their freaky friends." According to Jon Wiener in his book Come Together: John Lennon in His Time (1984), Robert Christgau, a writer for the music magazine Cheetah, claimed that Sgt. Pepper served as a "catalyst for the entire youth movement." Sgt. Pepper was considered to be the perfect soundtrack for the "Summer of Love." It managed to express almost every aspect of the emerging youth subculture. The cover story in Time (9/22/67) summarized the main messages the album relays: "tension between the generations, the loneliness of the dislocated '60s, and the bitter sweets of young love in any age." The youth movement could strongly identify with these messages. Not only did the younger generation respond to Sgt. Pepper, but for the first time the older generation took a serious look at the Beatles and their music. Sgt. Pepper caused many adults, including parents, professors, and business executives, to start taking the Beatles and rock music seriously. It was the first rock album that many people bought, and consequently, average adults started to formulate their own views on the Beatles' music. According to Time, Tom Leland, an Atlanta psychiatrist, stated that on Sgt. Pepper the Beatles were "speaking in an existential way about the meaningless of actuality." Also reported in Time, Robert Tusler, a teacher of 20th century music at UCLA, declared that the Beatles "made an enormous contribution to electronic music."
Sgt. Pepper's Lonely Hearts Club Band definitely set a new standard of achievement in popular music due to the immense positive response it received almost everywhere. As Jim Hoagland declared in The Washington Post in 1967, "music may never be the same again." And it wasn't. In 1987, on its 20th anniversary, it was voted the greatest album of all time by a worldwide panel of critics. Looking back on the album in retrospect, it obviously had weaknesses. Richard Harrington claimed in The Washington Post in 1987 that the only songs that hold up well are: "With A Little Help From My Friends," "She's Leaving Home," "Getting Better," and "A Day in the Life." However, he still agreed that the album had tremendous influence over the music industry and the American public. The music industry changed in several ways after the release of Sgt. Pepper. Since the album took four months to make at a cost of approximately $100,000, the record business began its transformation into a billion dollar industry. Consequently, the album format was emphasized and recording and marketing techniques were reshaped. After Sgt. Pepper introduced the idea of a "concept album," this idea was widely imitated. Also, no respectable rock star would ever again put out a dull album cover. Immediately following Sgt. Pepper there was an unprecedented amount of freedom of expression in rock songs. Due to the acceptance of rock as art, every major album could expect to be critically analyzed and examined like a new novel. This criticism is still prevalent today in such magazines as Rolling Stone, which also celebrated its 30th anniversary this year. Sgt. Pepper also inspired a new age of studio experimentation and lavish productions. It is generally recognized that with Sgt. Pepper the Beatles reached their peak in regards to experimentation and influence. This album was definitely seen as a turning point in the music industry. Concerning American society, Sgt. Pepper also had a great influence. The music seemed to distill the moods of that time. It opened up the eyes of the people, young and old. The album accurately personified the psychedelic sixties. It reflected the beliefs and thoughts of the people, especially the youth. Landgon Winner wrote in The New Yorker about the feeling evoked by the release of Sgt. Pepper: "The closest Western Civilization has come to unity since the Congress of Vienna in 1815 was the week the Sgt. Pepper album was released. For a brief while, the irreparably fragmented consciousness of the West was unified, at least in the minds of the young." Will there ever be another album/cd that will have as enormous an impact as Sgt. Pepper did? Judging from the 40 years since Sgt. Pepper's release, it's highly doubtful.
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The Beatles released their album, 
Not
only did Sgt. Pepper promote good and bad reviews for
itself, but it created a new form of criticism for all rock
albums which came thereafter. Following the strong reaction
to Sgt. Pepper, serious critical reviews on rock albums came
into existence. Prestigious publications started including
commentaries on The Beatles and rock music in their issues.
Until then, the only source of rock journalism came from fan
magazines and the underground press. After Sgt. Pepper, a
whole new genre of critical review emerged leading to the
birth of magazines such as Rolling Stone and Crawdaddy.
Some
adults proclaimed that with the release of Sgt. Pepper,
popular music had progressed into an art form. According to
Time, musicologist Henry Pleasants declared, "The Beatles
are where music is right now." This sudden change in
perspectives on rock music may have been strongly influenced
by the gradual progression of the Beatles' music. The sharp
contrast from the Beatles' earlier music to the later music
of Sgt. Pepper was a drastic change from simplicity to
complexity. This metamorphosis, which also reflected the
changing of the times, resulted from The Beatles desire to
grow, experiment, and expand their horizons. This
progression caused people to recognize the dramatic effect
of popular music as art. Jack Kroll of Newsweek compared the
Beatles to other artistic writers: ". . . loss of innocence
is, increasingly, their theme and the theme of more
'serious' new art from the stories of Donald Barthelme to
the plays of Harold Pinter."